SECTION 3 > Outer Listening

3.1.a. How do we listen?

“I like to listen. I have learned a great deal from listening carefully. Most people never listen.” - Ernest Hemingway

People who really listen have a huge advantage in real life, becoming more connected with the world around them.

We aren’t taught how to listen, especially as children.

We listen with EARS, EYES, and HEART.

3.1.b. Listening Exercise

Sit with somebody and have someone describe their favourite holiday destination, somewhere they love to go.

  1. The listener listens first, with their EARS only, without eye contact and no emotional involvement at all.

  2. Then, the second level, the listener will listen with their EYES open, making eye contact so they listen with ears and eyes.

  3. Then, at a third level, the listener will connect with their HEART and will start to listen with real empathy and understanding, and connect at heart level with the speaker.

  4. The speaker will then convey to the listener by describing what it was like to speak in these three levels of listening. Did they notice the difference between ears, and eyes, and heart?

Artifact 01 - Video > First Nations Teachings: Listening with Eyes, Ears, and Heart. YouTube, 1 Jun 2011.

Artifact 02 - Video > Tara Brach. Tara Talks: Listening with the Ears of the Heart. YouTube. 8 Aug 2018.

3.2. Making meaning from sound

Listening is a skill, something one must work at. It’s also a dying skill in the modern world for many millions of people.

LISTENING > is making meaning from sound.

To listen is to pay attention to sound or action.

A purely mental process. A part of our mapping of our reality.

HEARING > a PHYSICAL process, where sound touches our eardrums, and turns into vibration and fluid in our inner ear, becoming an ELECTRICAL process where that vibration is CHEMICALLY transmitted into neurons which fire off in our brains.

Hearing, or auditory perception, is the ability to perceive sounds through an organ, such as an ear, by detecting vibrations as periodic changes in the pressure of a surrounding medium.

We have four ways of communicating >

READING: the process of taking in the sense or meaning of letters, symbols, etc., especially by sight or touch.

WRITING: the activity or skill of marking coherent words on paper and composing text; … a medium of human communication that involves the representation of a language through a system of physically inscribed, mechanically transferred, or digitally represented symbols.

SPEAKING: the action of conveying information or expressing one's thoughts and feelings in spoken language.

Hailey, Logan. 14 Tips On How To Improve Speaking Skills (Speak Like A Pro!) (scienceofpeople.com)

LISTENING: to give attention to sound or action.

ABOUT 60% of our time is spent LISTENING. But we only retain only about 1 out of every 4 words we hear, or about 25% of the content we hear.

Once upon a time, most of our knowledge came through listening.

Tools we use to extract meaning from noise…

PATTERN RECOGNITION: …occurs when information from the environment is received and entered into short-term memory, causing automatic activation of a specific content of long-term memory. An early example of this is learning the alphabet in order. When a carer repeats ‘A, B, C’ multiple times to a child, utilizing the pattern recognition, the child says ‘C’ after they hear ‘A, B’ in order. Recognizing patterns allows us to predict and expect what is coming. The process of pattern recognition involves matching the information received with the information already stored in the brain. Making the connection between memories and information perceived is a step of pattern recognition called identification. Pattern recognition requires repetition of experience.

DIFFERENCING: involves our brain ignoring things that don’t change much and focus on things that do change… this can involve SOUND MASKING, which is the inclusion of generated sound (commonly, though inaccurately, referred to as "white noise" or "pink noise") into an environment to mask unwanted sound. It relies on auditory masking. Sound masking is not a form of active noise control (noise cancellation technique); however, it can reduce or eliminate the perception of sound. Sound masking is applied to an entire area to improve acoustical satisfaction, thus improving the acoustical privacy of the space. This can help an individual focus and thereby enhance productivity… NOTE: Treasure isn’t a fan of using white or pink noise, as a sound researcher he finds it fatiguing - and prefers natural sounds such as birdsongs, rainfall, or wind in the leaves to help enhance the soundscape.

What You Need to Know About Sound Masking | Soundproof Cow

3.3. We are losing our listening

  • There are many things today that are passed on by recording things - by writing, audio recording, and video recording > making it easy to revisit content. Once upon a time, if you missed it, you missed it. Recording has reduced the premium found in careful listening.

    • We still have oral traditions, such as with how Indian Classical Music is passed on.

  • Our modern Western society has developed the soundbite, often sensationalized, which has degraded our ability to listen to well-developed, even subtle arguments. This has become a part of a move towards a directed, aggressive style of living. Away from the balance of nature with YIN (female, feminine, dark, yielding, the moon, soft), and YANG (male, aggressive, the sun, heat, light) being in balance. But in the western world, we’ve moved towards the YANG (telling) as opposed to the YIN (listening). We are drowning in NOISE.

  • We have developed ways to escape noise, such as headphones > which can cause NOISE INDUCED HEARING LOSS (NIHL) largely because of headphone abuse, as opposed to say going to loud concerts. You don’t notice this because it’s gradual. There’s no way to retrieve damaged hearing. Headphones also deny us the ability to hear the soundscape of our environment - such as other people, or even on-coming cars or trains (headphones create PODestrians), as well as the peaceful sounds of nature. We are all in our own little auditory worlds when we wear headphones. This can be desirable sometimes, but there are downsides.

    • SCHIZOPHONIA (Murray Schaffer): describes the experience of hearing something you aren’t seeing (such as when you’re at home listening to an orchestra on your stereo system). But Treasure suggests it also applies to seeing things in the world around you that you aren’t hearing because you’re hearing things on your headphones instead - your relationship with reality becomes vastly different.

  • Text messaging and social networking are other forms of technology that have impacted our ability to listen. These do contain forms of written speech, but it’s not a conversation because you can’t hear the tone of voice imbedded in text messages, and there is no synchronous communication in the form of immediate replying. Also >>> Social networking friends aren’t really friends; they aren’t deep friendships and can be more superficial. With social networking, Treasure notes we are more attuned to be personal broadcasters, where it’s more about what one is putting out there, and less about listening to what’s coming back unless it’s comments about what’s put out there - which isn’t really listening or engaging in dialogue.

Artifact 03 - Video > TEDx Talks. Sherry Turkle - Alone Together. YouTube, 25 Mar 2011.

Artifact 04 - Video > TEDx Talks. Alone, Together How Technology Separates Us | Henry Williams. YouTube, 07 Jun 2018.

Artifact 05 - Video > Social Media is Making Us Unsocial | Kristin Gallucci. YouTube, 27 Nov 2019.

3.4. Silence

Silence is one practice that will help one become a master of conscious listening.

Very few places today are silent. Try to find 3 minutes of silence everyday to recalibrate your ability to listen.

It’s ok if you’re able to be in nature and the sounds are just birds chirping or the wind in the leaves. Walking in nature in silence is good too.

3.5. The Mixer

This is an exercise that can be done anywhere as it has you pay attention to all the sounds around you. What are the sources of the sounds around you in a cafe? In a park? It helps you become more accute in your listening.

3.6. Savouring

This is about unlocking the choir in mundane sounds around you. What sounds around you have rich, hidden complexities? This asks you to pay attention to what you hear. Do they sound like other things?

3.7. / 3.8. Listening Positions

These are not physical positions but a metaphor. It’s about considering and listening from different places, like our filters discussed earlier. Examples:

  • ACTIVE to PASSIVE listening: With active listening you might say “What I heard you say is this … “ … a neutral listening to assure others are heard. Let others feel heard, it makes you let go of emotion. With passive listening you just listen, just being in the moment, taking sound in, not responding.

  • CRITICAL to EMPATHIC listening

  • REDUCTIVE (listening for a point, and then offer solutions - a masculine way of listening) to EXPANSIVE listening (letting the conversation go where it might go, exploring a topic, not worrying about getting to a point - a feminine way of listening)

3.10. RASA

RASA is Sanskrit word for JUICE.

RECEIVE - being in a posture so someone knows you’re listening: be in constant eye contact with speaker, leaning forward slightly, and not on a smart device.

APPRECIATE - words that let the conversation flow. “Oh, ok. Mmm-hmmm. Go on…” it shows you’re interacting with the speaker.

SUMMARIZE - the word “So” is powerful… “So, what you’re saying is this …” it summarizes what is going on and let’s things move forward.

ASK - asking questions to show you’re involved with someone you’re speaking with. For clarity, understanding, connection.

Artifact 06 - Video > TED. 5 Ways to Listen Better | Julian Treasure. YouTube, 29 Jul 2011.